Do you know anyone who hasn't seen this movie? A box-office smash when released in 1993, this spectacular update of the popular 1960s TV series stars Harrison Ford as a surgeon wrongly accused of the murder of his wife. He escapes from a prison transport bus (in one of the most spectacular stunt-action sequences ever filmed) and embarks on a frantic quest for the true killer's identity, while a tenacious U. S. marshal (Tommy Lee Jones, in an Oscar-winning role) remains hot on his trail. Director Andrew Davis hit the big time with this expert display of polished style and escalating suspense, but it's the antagonistic chemistry between Jones and Ford that keeps this thriller cooking to the very end. In roles that seem custom-fit to their screen personas, the two stars maintain a sharply human focus to the grand-scale manhunt, and the intelligent screenplay never resorts to convenient escapes or narrative shortcuts. Equally effective as a thriller and a character study, The Fugitive is a Hollywood blockbuster that truly deserves its ongoing popularity. -Jeff Shannon The Fugitive could have been just another action movie, compelling in the cinema but losing impact on the small screen, were it not for two things: it has a brilliant script and a very strong line-up of actors. When eminent surgeon Dr Richard Kimble is wrongly convicted of his wife's brutal murder (let's face it-his story about doing battle with a one-armed intruder is hardly plausible), he's sentenced to death. Fate, however, gives him a second chance when his prison bus is involved in an accident with a train and he escapes, determined to find the real killer and clear his name. [+]

There's a reason you haven't heard of Cruel Intentions 2, a straight-to-video "sequel" to the seamy teen romp that had Ryan Phillippe baring his polished behind: it's twice as bad as the first one and is only worth a look to see just how embarrassingly trivial it can get. Writer-director Roger Kumble's original was no classic, but at least the game, nubile cast knew how to smack its lips-his follow-up (which, in tamer form, was to be the pilot for a proposed series called Manchester Prep) can't even pout properly. Phillippe's Sebastian character (here played by a bland, doughy Robin Dunne) is carted back out to be reintroduced to scheming stepsister Kathryn, enacted by a woefully unsexy Amy Adams (Sarah Michelle Gellar played Sebastian's ripe cousin in the first film). The two don't hit it off, and Sebastian-far more sentimental than his big-screen counterpart-immediately decides he's all for love, in the form of pristine deb Danielle (Sarah Thompson). It all amounts to a ponderously cartoonish nothing, and includes a twist ending that renders everything proceeding it completely incomprehensible. Kumble has the film spouting homilies on love and self-esteem, then randomly throws in bare breasts; it's like a horny Saved by the Bell, without the kick or pace of good camp. -Steve Wiecking, Amazon. com.

a blood bath of terrifying violence directed by mike jackson 1986

Anti-Trust is a gripping thriller, and although far from being great filmmaking it is at least notable for being about something important and having the will to follow it through. Macro software company NURV, based on a giant "campus" in the Pacific North West and under investigation by the Department of Justice, is planning to launch a proprietary broadband Internet. Ryan Philippe is adequate as the young geek hero, though Tim Robbins dominates the film as CEO Gary Winston, a skilfully cutting interpretation of a power-corrupted software multibillionaire; Gary Sinise offers an equally compelling characterisation. Peter Howitt directs in broad strokes, keeping things exciting if not exactly subtle, while Don Davis' score is alternately suspenseful and overblown. Howard Franklin's screenplay offers surprising plot detail and a couple of good twists while straining credulity with hoary thriller clichés. Nevertheless, the technical stuff is far more accurate than usual, despite the Hollywood compromises. Anti-Trust provides a rallying cry against the global domination of global communications for the profit of the few, the final 15 minutes delivering an uplifting if simplistic wish-fulfilment fantasy. On the DVD: The Dolby Digital 5. 1 sound is highly atmospheric, though the anamorphically enhanced 2. 35:1 image is only average, some grain and artefacting letting down the sleek look and elegant design of the film. [+]

Diabolique is Jeremiah Chechik's 1996 revamped version of the 1955 French film noir tale of two teachers at a boys school conspiring to kill the headmaster (played in the remake by Chazz Palminteri of Jade and The Usual Suspects). The three assemble an intriguing triangle of revenge and deceit as the headmaster's abused and humiliated wife and mistress team up to get even. Mia Baran is the fragile wife with a delicate heart condition, portrayed by Isabelle Adjani (Queen Margot), and Sharon Stone (Basic Instinct) is the plotting, contemptuous mistress. Together they set out to wreak an unfortunate revenge, but as the story reveals itself, miscalculations abound as hidden agendas and secret lives are unexpectedly exposed. Chechik's new look and timeless setting give film noir audiences something neoteric and seductive to play with. A welcomed change to the film's story line is the fresh addition of Kathy Bates as a daunting private detective. Fans of Stone's will not be disappointed with the latest version of her "I-could-give-a-damn smoldering broad" technique and anyone not yet familiar with Chazz Palminteri will love watching him succeed as the ultimately despicable headmaster. -Michele Goodson.

edward james olmos,sean young,Matteo Juarez is a retired detective hired by a local businessman to follow his wife Jennifer. She has a split personality and seems to be putting herself in danger without knowing it.