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Review Paramount Home Entertainment / Star Trek : Deep Space Nine - Vol. 3.2 - House of Quark / Equilibrium [2003]
Actors & Directors
  • Cirroc Lofton
  • Les Landau
  • Siddig El Fadil
  • Rene Auberjonois
  • Cliff Bole
  • Terry Farrell
  • Avery Brooks
Release date: 1995-02-27
Run time: 88 min.
RRP: £5.99
Price: £12.98

Review Star Trek : Deep Space Nine - Vol. 3.2 - House of Quark / Equilibrium [2003] / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review Paramount Home Entertainment / Star Trek Voyager - Vol. 6.5 (Voyage Conspiracy/Pathfinder) [1996]
Actors & Directors
  • Terry Windsor
  • Michael Vejar
  • Robert Picardo
  • Kate Mulgrew
  • Roxann Dawson
  • Robert Beltran
  • Jeri Ryan
Release date: 2000-07-03
Run time: 88 min.
RRP: £5.99
Price: £2.85

Review Star Trek Voyager - Vol. 6.5 (Voyage Conspiracy/Pathfinder) [1996] / Paramount Home Entertainment:


Review Star Trek Next Generation / Star Trek The Next Generation - Q Continuum [1990]
Release date: 1994-12-05
Run time: 266 min.
RRP: £24.99
Price: £9.95

Review Star Trek The Next Generation - Q Continuum [1990] / Star Trek Next Generation:

In 1987, some 20 years after the original series had ended, Star Trek: The Next Generation was launched into a decade renowned for its materialistic greed, but also for its hesitant steps towards a more unified world order. Creator Gene Roddenberry revised his vision of humanity's future accordingly, shifting the Trek timeline 80 years on and reinventing the new Starship Enterprise as an Ark-like exploration vessel full of families, schools, soothing recreational facilities and a maternally pacifying computer voice (Roddenberry's wife, Majel Barrett). The Next Generation crew were not soldiers, but scientists and diplomats. Unlike the fiercely individualistic Captain Kirk, Patrick Stewart's patrician Captain Jean-Luc Picard was a model team leader: no matter how desperate the crisis, he ensured that everyone got to sit round the Conference Room table and talk it over. And in a true late-1980s touch, a key member of the Bridge crew was psychoanalyst Counsellor Troi, always on hand to discuss everyone's feelings. Season Two saw the welcome introduction of the cybernetic horror that was the Borg. Originally a powerful symbol of technological misuse in an otherwise technologically utopian universe, ultimately their hive-like existence served to reinforce the message that everyone would be much happier as a team player. Even renegade super-entity Q (John De Lancie) relied on Picard as much as his fellow god-like playmates; Data followed Pinocchio and Spock in a quest to discard what made him an individual; and there was even an episode that rationalised why all aliens basically looked alike (we're all one big family). Even the slogan change to "Where no one has gone before" acknowledges that there's no "one" in a team. But for all its earnest political correctness and an over-reliance on "technobabble", good stories played by an appealing ensemble cast were at the heart of the show's success. [+]
After seven successful seasons, "All Good Things" finally came to an end. Until Deep Space Nine, Voyager and Enterprise, that is. -Paul Tonks.

Review Paramount Home Entertainment / Star Trek : Deep Space Nine - Vol. 3.3 - Second Skin / The Abandoned [1994]
Actors & Directors
  • Janice de Belen
  • Peque Gallaga
  • Gabby Concepcion
  • Lore Reyes
  • Alma Moreno
  • Fe de los Reyes
  • Joey Marquez
Release date: 1995-03-13
Run time: 88 min.
RRP: £5.99
Price: £0.39

Review Star Trek : Deep Space Nine - Vol. 3.3 - Second Skin / The Abandoned [1994] / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review Paramount Home Entertainment / Star Trek : Deep Space Nine - Vol. 5.5 - The Ascent / The Rapture [1995]
Actors & Directors
  • Jonathan West
  • Allan Kroeker
  • Rene Auberjonois
  • Terry Farrell
  • Avery Brooks
  • Michael Dorn
  • Cirroc Lofton
Release date: 1997-04-07
Run time: 88 min.
RRP: £5.99
Price: £1.15

Review Star Trek : Deep Space Nine - Vol. 5.5 - The Ascent / The Rapture [1995] / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. This meant no familial camaraderie, squeaky-clean Federation diplomacy or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit demonstrating a gutsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; The Maquis was Starfleet vs. Cardassians; Section 31 was a secret Starfleet group; The True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. [+]
Yet for all its constant bickering and espionage (even Bashir got to be James Bond) there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review Fabulous Films Ltd. / Blake's 7 - Sarcophagus / Ultraworld - Episodes 35 And 36 [1979]
Actors & Directors
  • Josette Simon
  • David Maloney
  • Michael Keating
  • Steve Pacey
  • Paul Darrow
  • Jan Chappell
Release date: 1999-05-03
Run time: 99 min.
RRP: £10.99
Price: £9.57

Review Blake's 7 - Sarcophagus / Ultraworld - Episodes 35 And 36 [1979] / Fabulous Films Ltd.:


Review Fabulous Films Ltd. / Blake's 7 - Cygnus Alpha / Time Squad - Episodes 3 And 4 [1978]
Actors & Directors
  • Viktors Ritelis
  • Douglas Camfield
  • Vivienne Cozens
  • Jonathan Wright-Miller
  • Fiona Cumming
Release date: 1998-03-02
Run time: 103 min.
RRP: £10.99
Price: £0.01

Review Blake's 7 - Cygnus Alpha / Time Squad - Episodes 3 And 4 [1978] / Fabulous Films Ltd.:


Review Paramount Home Entertainment / Star Trek: Deep Space Nine - Vol. 3.5 - Defiant / Fascination
Actors & Directors
  • Siddig El Fadil
  • Avery Brooks
  • Rene Auberjonois
  • Cliff Bole
  • Avery Brooks
Release date: 1995-04-10
Run time: 88 min.
RRP: £5.99
Price: £4.98

Review Star Trek: Deep Space Nine - Vol. 3.5 - Defiant / Fascination / Paramount Home Entertainment:


Review Warner Home Video / Babylon 5 - Vol. 2 - Episodes 3 and 4 - Born To The Purple / Infection [1994]
Actors & Directors
  • David McCallum
  • Richard Compton
  • Fabiana Udenio
  • Bruce Seth Green
  • Peter Jurasik
  • Michael O'Hare
Release date: 1995-07-17
Run time: 84 min.
RRP: £12.99
Price: £0.01

Review Babylon 5 - Vol. 2 - Episodes 3 and 4 - Born To The Purple / Infection [1994] / Warner Home Video:


Review Fabulous Films Ltd. / Blake's 7 - Bounty / Deliverance - Episodes 11 And 12 [1978]
Actors & Directors
  • Vivienne Cozens
  • Fiona Cumming
  • Jonathan Wright-Miller
  • Viktors Ritelis
  • Douglas Camfield
Release date: 1998-06-29
Run time: 101 min.
RRP: £10.99
Price: £3.54

Review Blake's 7 - Bounty / Deliverance - Episodes 11 And 12 [1978] / Fabulous Films Ltd.:


Review Paramount Home Entertainment / Star Trek Voyager - Vol. 2.11 - Resolutions / Basics Part One [2001]
Actors & Directors
  • Angel Coulby
  • Ricky Grover
  • Di Botcher
  • Lee Oakes
  • Johnny Vaughan
Release date: 1996-11-04
Run time: 88 min.
RRP: £5.99
Price: £2.75

Review Star Trek Voyager - Vol. 2.11 - Resolutions / Basics Part One [2001] / Paramount Home Entertainment:


Review Paramount Home Entertainment / Star Trek : Deep Space Nine - Vol. 3.4 - Civil Defense / Meridian
Actors & Directors
  • Avery Brooks
  • Jonathan Frakes
  • Siddig El Fadil
  • Rene Auberjonois
  • Cirroc Lofton
  • Terry Farrell
  • Reza Badiyi
Release date: 1995-03-27
Run time: 88 min.
RRP: £5.99
Price: £0.39

Review Star Trek : Deep Space Nine - Vol. 3.4 - Civil Defense / Meridian / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review Fabulous Films Ltd. / Blake's 7 - Aftermath / Power Play - Episodes 27 And 28 [1978]
Actors & Directors
  • Jonathan Wright-Miller
  • Vivienne Cozens
  • Fiona Cumming
  • Viktors Ritelis
  • Douglas Camfield
Release date: 1999-02-22
Run time: 103 min.
RRP: £10.99
Price: £12.71

Review Blake's 7 - Aftermath / Power Play - Episodes 27 And 28 [1978] / Fabulous Films Ltd.:


Review Paramount Home Entertainment / Star Trek Voyager - Vol. 3.5 (Future's End Part II/Warlord) [1996]
Actors & Directors
  • Kate Mulgrew
Release date: 1997-04-07
Run time: 88 min.
RRP: £5.99
Price: £9.99

Review Star Trek Voyager - Vol. 3.5 (Future's End Part II/Warlord) [1996] / Paramount Home Entertainment:


Review Paramount Home Entertainment / Star Trek The Next Generation: Encounter At Farpoint - The Full Length TV Movie [1990]
Actors & Directors
  • Patrick Stewart
  • LeVar Burton
  • Michael Bell
  • Corey Allen
  • John De Lancie
  • Jonathan Frakes
Release date: 1995-01-16
Run time: 87 min.
RRP: £5.99
Price: £7.48

Review Star Trek The Next Generation: Encounter At Farpoint - The Full Length TV Movie [1990] / Paramount Home Entertainment:

In 1987, some 20 years after the original series had ended, Star Trek: The Next Generation was launched into a decade renowned for its materialistic greed, but also for its hesitant steps towards a more unified world order. Creator Gene Roddenberry revised his vision of humanity's future accordingly, shifting the Trek timeline 80 years on and reinventing the new Starship Enterprise as an Ark-like exploration vessel full of families, schools, soothing recreational facilities and a maternally pacifying computer voice (Roddenberry's wife, Majel Barrett). The Next Generation crew were not soldiers, but scientists and diplomats. Unlike the fiercely individualistic Captain Kirk, Patrick Stewart's patrician Captain Jean-Luc Picard was a model team leader: no matter how desperate the crisis, he ensured that everyone got to sit round the Conference Room table and talk it over. And in a true late-1980s touch, a key member of the Bridge crew was psychoanalyst Counsellor Troi, always on hand to discuss everyone's feelings. Season Two saw the welcome introduction of the cybernetic horror that was the Borg. Originally a powerful symbol of technological misuse in an otherwise technologically utopian universe, ultimately their hive-like existence served to reinforce the message that everyone would be much happier as a team player. Even renegade super-entity Q (John De Lancie) relied on Picard as much as his fellow god-like playmates; Data followed Pinocchio and Spock in a quest to discard what made him an individual; and there was even an episode that rationalised why all aliens basically looked alike (we're all one big family). Even the slogan change to "Where no one has gone before" acknowledges that there's no "one" in a team. But for all its earnest political correctness and an over-reliance on "technobabble", good stories played by an appealing ensemble cast were at the heart of the show's success. [+]
After seven successful seasons, "All Good Things" finally came to an end. Until Deep Space Nine, Voyager and Enterprise, that is. -Paul Tonks.

Review Paramount Home Entertainment / Star Trek : Deep Space Nine - Vol. 3.1 - The Search Part 1 / The Search Part 2 [1995]
Actors & Directors
  • Terry Farrell
  • Siddig El Fadil
  • Avery Brooks
  • Kim Friedman
  • Cirroc Lofton
  • Rene Auberjonois
  • Jonathan Frakes
Release date: 1995-02-06
Run time: 88 min.
RRP: £5.99
Price: £14.99

Review Star Trek : Deep Space Nine - Vol. 3.1 - The Search Part 1 / The Search Part 2 [1995] / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review Paramount Home Entertainment / Star Trek : Deep Space Nine Vol. 4.11 - The Muse / For The Cause [1996]
Actors & Directors
  • Rene Auberjonois
  • Avery Brooks
  • David Livingston
  • Terry Farrell
  • James L. Conway
Release date: 1996-10-28
Run time: 88 min.
RRP: £5.99
Price: £1.95

Review Star Trek : Deep Space Nine Vol. 4.11 - The Muse / For The Cause [1996] / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted inter-personal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no-one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a gutsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; The Maquis was Starfleet vs Cardassians; Section 31 was a secret Starfleet group; The True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond!), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review Warner Home Video / Babylon 5 - Vol. 18 - There All The Honor Lies / Knives [1994]
Actors & Directors
  • Stephen L. Posey
  • Stephen Furst
  • Andrea Thompson
  • Bruce Boxleitner
  • Michael Vejar
  • Robert Rusler
  • Bill Mumy
Release date: 1996-11-25
Run time: 84 min.
RRP: £12.99
Price: £0.90

Review Babylon 5 - Vol. 18 - There All The Honor Lies / Knives [1994] / Warner Home Video:


Review Warner Home Video / Babylon 5 - Vol. 3 - Episodes 5 and 6 - Parliament Of Dreams / Mind War [1994]
Actors & Directors
  • Jim Johnston
  • Julia Nickson-Soul
  • Andreas Katsulas
  • William Allen Young
  • Bruce Seth Green
Release date: 1995-07-17
Run time: 84 min.
RRP: £12.99
Price: £0.24

Review Babylon 5 - Vol. 3 - Episodes 5 and 6 - Parliament Of Dreams / Mind War [1994] / Warner Home Video:


Review Warner Home Video / Babylon 5 - Vol. 1 - Episodes 1 and 2 - Midnight On The Firing Line / Soul Hunter [1994]
Actors & Directors
  • Claudia Christian
  • Jim Johnston
  • Morgan Furlan
  • Richard Compton
  • Michael O'Hare
Release date: 1995-07-17
Run time: 84 min.
RRP: £12.99
Price: £0.95

Review Babylon 5 - Vol. 1 - Episodes 1 and 2 - Midnight On The Firing Line / Soul Hunter [1994] / Warner Home Video:


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Star Trek : Deep Space Nine - Vol. 3.2 - House of Quark / Equilibrium [2003], Star Trek Voyager - Vol. 6.5 (Voyage Conspiracy/Pathfinder) [1996], Star Trek The Next Generation - Q Continuum [1990], Star Trek : Deep Space Nine - Vol. 3.3 - Second Skin / The Abandoned [1994], Star Trek : Deep Space Nine - Vol. 5.5 - The Ascent / The Rapture [1995], Blake's 7 - Sarcophagus / Ultraworld - Episodes 35 And 36 [1979], Blake's 7 - Cygnus Alpha / Time Squad - Episodes 3 And 4 [1978], Star Trek: Deep Space Nine - Vol. 3.5 - Defiant / Fascination, Babylon 5 - Vol. 2 - Episodes 3 and 4 - Born To The Purple / Infection [1994], Blake's 7 - Bounty / Deliverance - Episodes 11 And 12 [1978], Star Trek Voyager - Vol. 2.11 - Resolutions / Basics Part One [2001], Star Trek : Deep Space Nine - Vol. 3.4 - Civil Defense / Meridian, Blake's 7 - Aftermath / Power Play - Episodes 27 And 28 [1978], Star Trek Voyager - Vol. 3.5 (Future's End Part II/Warlord) [1996], Star Trek The Next Generation: Encounter At Farpoint - The Full Length TV Movie [1990], Star Trek : Deep Space Nine - Vol. 3.1 - The Search Part 1 / The Search Part 2 [1995], Star Trek : Deep Space Nine Vol. 4.11 - The Muse / For The Cause [1996], Babylon 5 - Vol. 18 - There All The Honor Lies / Knives [1994], Babylon 5 - Vol. 3 - Episodes 5 and 6 - Parliament Of Dreams / Mind War [1994], Babylon 5 - Vol. 1 - Episodes 1 and 2 - Midnight On The Firing Line / Soul Hunter [1994]

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