One of the most popular and influential shows in the history of television, for many viewers the original Star Trek (1966-9) defines good science fiction: however much it tries to be about the future, it cannot help but reflect the values of its own time, and Star Trek's vision was very much a product of creator Gene Roddenberry's 1960s' liberal-humanist idealism. Conceived at the height of the Cold War and during the escalation of the Vietnam conflict, his was a radical vision of a world where national and racial differences have been put aside and all people work together. With a policy of non-intervention in the affairs of other civilisations, and violence only as a last resort, Star Trek embodied a lost dream, a fantasy of what America could have been had John F. Kennedy not been assassinated in 1963. Captain James Tiberius Kirk (William Shatner) had the middle name of a Roman emperor, but otherwise shared his initials with the late president, and both were young, good looking, womanising, charismatic popular heroes. If Kirk didn't uphold truth, justice and the American way from the White House, a big white starship was the next best thing. There was even a Russian, Mr Chekov (Walter Koenig), on the bridge, and the show delivered network TV's first inter-racial kiss between Kirk and Uhura (Nichelle Nichols). Even though there was a white American male in control, it was still all a bit much for 1960s' mainstream TV, hence the voyages of the Starship Enterprise, boldly going on its five-year mission to explore strange new worlds, only lasted three seasons and 72 episodes before being cancelled in 1969, the year Man first walked on the moon. While the once-ground-breaking special effects now look routine, and the then-radical politics have now become part of the politically correct global mainstream, Star Trek retains an enduring popularity due to its strong storytelling-the show employed such top science fiction writers as Robert Bloch, Harlan Ellison, Richard Matheson, Norman Spinrad and Theodore Sturgeon-and admirable characters. Spock (Leonard Nimoy), McCoy (DeForest Kelley) and Scotty (James Doohan), Sulu (George Takei), Kirk, Chekov and Uhura remain icons for a world short of real heroes: loyal to the end, honest and utterly dedicated, these were the friends and colleagues who week after week trusted each other with their lives. [+]

One of the most popular and influential shows in the history of television, for many viewers the original Star Trek (1966-9) defines good science fiction: however much it tries to be about the future, it cannot help but reflect the values of its own time, and Star Trek's vision was very much a product of creator Gene Roddenberry's 1960s liberal-humanist idealism. Conceived at the height of the Cold War and during the escalation of the Vietnam conflict, his was a radical vision of a world where national and racial differences have been put aside and all people work together. With a policy of non-intervention in the affairs of other civilisations, and violence only as a last resort, Star Trek embodied a lost dream, a fantasy of what America could have been had John F Kennedy not been assassinated in 1963. Captain James Tiberius Kirk (William Shatner) had the middle name of a Roman emperor, but otherwise shared his initials with the late president, and both were young, good-looking, womanising, charismatic popular heroes. If Kirk didn't uphold truth, justice and the American way from the White House, a big white starship was the next best thing. There was even a Russian, Mr Chekov (Walter Koenig), on the bridge, and the show delivered network TV's first inter-racial kiss between Kirk and Uhura (Nichelle Nichols). Even though there was a white American male in control, it was still all a bit much for 1960s mainstream TV, hence the voyages of the Starship Enterprise, boldly going on its five-year mission to explore strange new worlds, only lasted three seasons and 72 episodes before being cancelled in 1969, the year man first walked on the moon. While the once-ground-breaking special effects now look routine, and the then-radical politics have now become part of the politically correct global mainstream, Star Trek retains an enduring popularity due to its strong storytelling-the show employed such top science fiction writers as Robert Bloch, Harlan Elllison, Richard Matheson, Norman Spinrad and Theodore Sturgeon-and admirable characters. Spock (Leonard Nimoy), McCoy (DeForest Kelley) and Scotty (James Doohan), Sulu (George Takei), Kirk, Chekov and Uhura remain icons for a world short of real heroes: loyal to the end, honest and utterly dedicated, these were the friends and colleagues who week after week trusted each other with their lives. Devoid of cynicism and self-interest the crew of the USS Enterprise never, ever let anyone down, and ultimately that is a very big reason for Star Trek's enduring popularity. [+]

This imaginative comedy from director Barry Sonnenfeld (Get Shorty) is a lot of fun, largely on the strength of Will Smith's engaging performance as the rookie partner of a secret agent (Tommy Lee Jones) assigned to keep tabs on Earth-dwelling extra-terrestrials. There's lots of comedy to spare in this bright film, some of the funniest stuff found in the margins of the major action (a scene with Smith's character being trounced in the distance by a huge alien while Jones questions a witness is a riot. ) The inventiveness never lets up, and the cast-including Vincent D'Onofrio doing frighteningly convincing work as an alien occupying a decaying human-hold up their end splendidly. -Tom Keogh, Amazon. com On the DVD: This Collector's Edition disc contains a "Visual Commentary" that features director Barry Sonenfeld and actor Tommy Lee Jones in an anecdotal conversation, but with the unique twist that they are displayed as silhouettes on your TV screen (imagine you're sitting in the back row of the cinema and they are up front) using a pointer to highlight particular events on screen. If you have a widescreen TV, the menu prompts you to switch to 4:3 mode to see this. There is also a "Visual Effects Scene Deconstruction" in which the tunnel scene and the Edgar Bug fight scene are dissected into their constituent parts; an in-depth documentary, "Metamorphosis of MIB", which charts the progress of the concept from comic book to screen; five "Extended and Alternate" scenes; trailers, including a teaser for MIB II; and Will Smith's "Men in Black" music video. -Mark Walker.

Even-numbered Star Trek movies tend to be better, and this one (number eight in the popular series) is no exception-an intelligently handled plot involving the galaxy-conquering Borg and their attempt to invade Earth's past, alter history, and "assimilate" the entire human race. Time travel, a dazzling new Enterprise, and capable direction by Next Generation alumnus Jonathan Frakes makes this one rank with the best of the bunch. Capt. Picard (Patrick Stewart) and his able crew travel back in time to Earth in the year 2063, where they hope to ensure that the inventor of warp drive (played by James Cromwell) will successfully carry out his pioneering warp-drive flight and precipitate Earth's "first contact" with an alien race. A seductive Borg queen (Alice Krige) holds Lt. Data (Brent Spiner) hostage in an effort to sabotage the Federation's preservation of history, and the captive android finds himself tempted by the queen's tantalising sins of the flesh. Sharply conceived to fit snugly into the burgeoning Star Trek chronology, First Contact leads to a surprise revelation that marks an important historical chapter in the ongoing mission "to boldly go where no one has gone before". -Jeff Shannon.

George Lucas's enigmatic feature film debut expands on a student film he made at USC. Created under the wing of producer Francis Ford Coppola, this movie is a bleak vision of a world in which technology, not man, is the ultimate dictator. Efficiency overrides every other aspect of human life, as people are reduced to code names and their lives are contained, monitored and manipulated for the sake of the system. Featuring unsettling performances by Robert Duvall, Donald Pleasance and Maggie McOmie, THX 1138 does not attempt to explain how things became this way; rather, it utilises the alienation of its characters, the stifling white-on-white imagery of its sterilised society, and the claustrophobic, droning sound design to emphasise the dangers of a world reliant on soulless technology. Even though this is not a film one will want to take in repeatedly, THX 1138 merits attention because it is that rare film that uses images and sounds-rather than relying heavily on dialogue-to communicate its dark prophecy. -Bryan Reesman.

One of the most popular and influential shows in the history of television, for many viewers the original Star Trek (1966-9) defines good science fiction: however much it tries to be about the future, it cannot help but reflect the values of its own time, and Star Trek's vision was very much a product of creator Gene Roddenberry's 1960s' liberal-humanist idealism. Conceived at the height of the Cold War and during the escalation of the Vietnam conflict, his was a radical vision of a world where national and racial differences have been put aside and all people work together. With a policy of non-intervention in the affairs of other civilisations, and violence only as a last resort, Star Trek embodied a lost dream, a fantasy of what America could have been had John F. Kennedy not been assassinated in 1963. Captain James Tiberius Kirk (William Shatner) had the middle name of a Roman emperor, but otherwise shared his initials with the late president, and both were young, good looking, womanising, charismatic popular heroes. If Kirk didn't uphold truth, justice and the American way from the White House, a big white starship was the next best thing. There was even a Russian, Mr Chekov (Walter Koenig), on the bridge, and the show delivered network TV's first inter-racial kiss between Kirk and Uhura (Nichelle Nichols). Even though there was a white American male in control, it was still all a bit much for 1960s' mainstream TV, hence the voyages of the Starship Enterprise, boldly going on its five-year mission to explore strange new worlds, only lasted three seasons and 72 episodes before being cancelled in 1969, the year Man first walked on the moon. While the once-ground-breaking special effects now look routine, and the then-radical politics have now become part of the politically correct global mainstream, Star Trek retains an enduring popularity due to its strong storytelling-the show employed such top science fiction writers as Robert Bloch, Harlan Ellison, Richard Matheson, Norman Spinrad and Theodore Sturgeon-and admirable characters. Spock (Leonard Nimoy), McCoy (DeForest Kelley) and Scotty (James Doohan), Sulu (George Takei), Kirk, Chekov and Uhura remain icons for a world short of real heroes: loyal to the end, honest and utterly dedicated, these were the friends and colleagues who week after week trusted each other with their lives. [+]

In 1976 The Omen scored a hit with critics and audiences hungry for more after The Exorcist with its mixture of Gothic horror and mystery and its plot about a young boy suspected of being the personification of the anti-Christ. Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast". At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect and the mood of dread and potential death is masterfully maintained. It's all a bit contrived, with a lot of biblical portent and sensational fury but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. -Jeff Shannon, Amazon. com Damien: Omen II takes place several years after the mysterious events that claimed the life of the US Ambassador and his wife as the now teenaged and militarily enrolled Damien Thorne is slowly being made aware of his unholy heritage and horrific destiny. Woe is he (including anyone in Damien's adoptive family and his classmates) who suspects the truth or gets in his way. While not as unrelentingly frightening as its blockbuster predecessor, this more-than-competent sequel raises some interesting questions about the nature of free will (can the anti-Christ deny his birthright?) before falling into a gory series of increasingly outlandish deaths, the best of which is a terrifyingly protracted scene beneath the ice of a frozen lake. Jerry Goldsmith (who won an Oscar for his work on the first film in the series) contributes another marvellously foreboding score. [+]

After the success of 1950's Destination Moon and 1951's When Worlds Collide, visionary producer George Pal brought the classic HG Wells story of a Martian invasion to the big screen, and it instantly became a science-fiction classic and winner of the 1953 Academy Award for Best Special Effects. It's a work of frightening imagination, with its manta-ray spaceships armed with cobra-like probes that shoot a white-hot disintegration ray. As formations of alien ships continue to wreak destruction around the globe, the military is helpless to stop this enemy while scientists race to find an effective weapon. Gene Barry and Ann Robinson play the hero and heroine roles that werede rigueur for movies like this in the 50s, and their encounter with one of the Martians is as creepy today as it was in 1953. It finally takes an unseen threat-simple Earth bacteria-to conquer the alien invaders, but not before War of the Worlds has provided a dazzling display of impressive visual and sound effects. This is a movie for the ages, the kind of spectacle that inspired little kids such as Steven Spielberg (not to mention Roland Emmerich and Dean Devlin, whose Independence Day is a remake in all but name) and still packs a punch. -Jeff Shannon, Amazon. com.