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Review Raven Home Video / The Sisterhood [1988]
Actors & Directors
  • Cirio H. Santiago
  • Barbara Patrick
  • Chuck Wagner
  • Rebecca Holden
  • Robert Dryer
  • Lynn-Holly Johnson
Release date: 1996-09-16
Run time: 82 min.
Price: £4.99

Review The Sisterhood [1988] / Raven Home Video:


Review first independent / automatic
Actors & Directors
  • olivier gruner
Price: £15.00

Review automatic / first independent:


Review Digital Video Distribution / Embryo [1976]
Actors & Directors
  • Barbara Carrera
  • Anne Schedeen
  • Diane Ladd
  • Ralph Nelson
  • Roddy McDowall
  • Rock Hudson
Release date: 1995-12-27
Run time: 103 min.
RRP: £5.99
Price: £5.00

Review Embryo [1976] / Digital Video Distribution:


Review Paramount Home Entertainment / Star Trek : Deep Space Nine - Vol. 17 - Armageddon Game / Whispers [1995]
Actors & Directors
  • Winrich Kolbe
  • Colm Meaney
  • Terry Farrell
  • Avery Brooks
  • Rene Auberjonois
  • Les Landau
  • Siddig El Fadil
Release date: 1994-07-11
Run time: 88 min.
RRP: £5.99
Price: £24.75

Review Star Trek : Deep Space Nine - Vol. 17 - Armageddon Game / Whispers [1995] / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review Paramount Home Entertainment / Star Trek : Deep Space Nine - Vol. 4.4 - Little Green Men / Starship Down [1995]
Actors & Directors
  • Rene Auberjonois
  • Avery Brooks
  • James L. Conway
  • Terry Farrell
  • Cirroc Lofton
  • Alexander Singer
  • Michael Dorn
Release date: 1996-04-22
Run time: 88 min.
RRP: £5.99
Price: £1.29

Review Star Trek : Deep Space Nine - Vol. 4.4 - Little Green Men / Starship Down [1995] / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review Paramount Home Entertainment / Star Trek The Next Generation: Birth Right - The Full Length TV Movie [1990]
Actors & Directors
  • Alan Scarfe
  • Winrich Kolbe
  • Jonathan Frakes
  • Jennifer Gatti
  • Richard Herd
  • Patrick Stewart
  • Dan Curry
Release date: 1995-04-10
Run time: 83 min.
RRP: £5.99
Price: £0.25

Review Star Trek The Next Generation: Birth Right - The Full Length TV Movie [1990] / Paramount Home Entertainment:

In 1987, some 20 years after the original series had ended, Star Trek: The Next Generation was launched into a decade renowned for its materialistic greed, but also for its hesitant steps towards a more unified world order. Creator Gene Roddenberry revised his vision of humanity's future accordingly, shifting the Trek timeline 80 years on and reinventing the new Starship Enterprise as an Ark-like exploration vessel full of families, schools, soothing recreational facilities and a maternally pacifying computer voice (Roddenberry's wife, Majel Barrett). The Next Generation crew were not soldiers, but scientists and diplomats. Unlike the fiercely individualistic Captain Kirk, Patrick Stewart's patrician Captain Jean-Luc Picard was a model team leader: no matter how desperate the crisis, he ensured that everyone got to sit round the Conference Room table and talk it over. And in a true late-1980s touch, a key member of the Bridge crew was psychoanalyst Counsellor Troi, always on hand to discuss everyone's feelings. Season Two saw the welcome introduction of the cybernetic horror that was the Borg. Originally a powerful symbol of technological misuse in an otherwise technologically utopian universe, ultimately their hive-like existence served to reinforce the message that everyone would be much happier as a team player. Even renegade super-entity Q (John De Lancie) relied on Picard as much as his fellow god-like playmates; Data followed Pinocchio and Spock in a quest to discard what made him an individual; and there was even an episode that rationalised why all aliens basically looked alike (we're all one big family). Even the slogan change to "Where no one has gone before" acknowledges that there's no "one" in a team. But for all its earnest political correctness and an over-reliance on "technobabble", good stories played by an appealing ensemble cast were at the heart of the show's success. [+]
After seven successful seasons, "All Good Things" finally came to an end. Until Deep Space Nine, Voyager and Enterprise, that is. -Paul Tonks.

Review Urotsukidoji III / Urotsukidoji III - The Return Of The Overfiend: Episode 3
Release date: 1994-09-19
Run time: 40 min.
RRP: £7.99
Price: £6.99

Review Urotsukidoji III - The Return Of The Overfiend: Episode 3 / Urotsukidoji III:


Review Vipco / The Warning [1980]
Actors & Directors
  • Jack Palance
  • Greydon Clark
  • Martin Landau
  • Cameron Mitchell
  • Christopher S. Nelson
  • Tara Nutter
Release date: 1993-11-29
Run time: 89 min.
Price: £12.99

Review The Warning [1980] / Vipco:


Review Manga Entertainment / The Guyver - Data 5 - Death Of The Guyver
Release date: 1994-08-08
Run time: 30 min.
RRP: £5.99
Price: £1.25

Review The Guyver - Data 5 - Death Of The Guyver / Manga Entertainment:


Review Paramount Home Entertainment / Star Trek : Deep Space Nine - Vol. 22 - Crossover / The Collaborator [1995]
Actors & Directors
  • Cirroc Lofton
  • Terry Farrell
  • David Livingston
  • Cliff Bole
  • Rene Auberjonois
  • Avery Brooks
  • Siddig El Fadil
Release date: 1994-09-26
Run time: 87 min.
RRP: £5.99
Price: £21.85

Review Star Trek : Deep Space Nine - Vol. 22 - Crossover / The Collaborator [1995] / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, no squeaky-clean Federation diplomacy and no beige décor. Instead they wanted inter-personal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; The Maquis was Starfleet vs Cardassians; Section 31 was a secret Starfleet group; The True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond!), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review Audiovisual Enterprises Ltd. / Space Rangers 3
Actors & Directors
  • Mikael Saloman|Jeff Kaake|Linda Hunt|Cary-Hiroyuki Tagawa
Release date: 1996-03-11
Run time: 100 min.
Price: £10.99

Review Space Rangers 3 / Audiovisual Enterprises Ltd.:


Review Paramount Home Entertainment / Star Trek : Deep Space Nine - Vol. 15 - Second Sight / Sanctuary [1995]
Actors & Directors
  • Terry Farrell
  • Alexander Singer
  • Les Landau
  • Avery Brooks
  • Colm Meaney
  • Armin Shimerman
Release date: 1994-06-06
Run time: 88 min.
RRP: £5.99
Price: £21.85

Review Star Trek : Deep Space Nine - Vol. 15 - Second Sight / Sanctuary [1995] / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review Paramount Home Entertainment / Star Trek : Deep Space Nine Vol. 4.11 - The Muse / For The Cause [1996]
Actors & Directors
  • James L. Conway
  • Terry Farrell
  • Avery Brooks
  • David Livingston
  • Rene Auberjonois
Release date: 1996-10-28
Run time: 88 min.
RRP: £5.99
Price: £1.94

Review Star Trek : Deep Space Nine Vol. 4.11 - The Muse / For The Cause [1996] / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted inter-personal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no-one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a gutsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; The Maquis was Starfleet vs Cardassians; Section 31 was a secret Starfleet group; The True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond!), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review 20th Century Fox Home Entertainment / Planet Of The Apes [1967]
Actors & Directors
  • Franklin J. Schaffner|Charlton Heston|Roddy McDowall|Kim Hunter
Release date: 1999-01-25
Run time: 108 min.
Price: £13.99

Review Planet Of The Apes [1967] / 20th Century Fox Home Entertainment:

The original Planet of the Apes is that rarity of the genre: a science fiction film that has dated not one bit: its intelligent script, frightening costuming, and savagely effective conclusion (which needs no big-budget special effects to augment its impact) remain both potent and relevant. When Colonel George Taylor (the fabulous Charlton Heston) crash lands his spacecraft on what seems to be an unfamiliar planet, he is captured and held prisoner by a dominant race of rational, articulate apes. However, the ape community is riven with internal dissension, centred in no small part on its policy toward humans, who, on this planet, are treated as mindless animals. Befriended and ultimately assisted by the more liberal simians, Taylor escapes-only to find a more terrifying obstacle confronting his return home. Heavy-handed object lessons abound-the ubiquity of generational warfare, the inflexibility of dogma, the cruelty of prejudice-and the didactic finger prints of The Twilight Zone's Rod Serling are very much in evidence here. But director Franklin Schaffner has a dark, pop-apocalyptic sci-fi vision all of his own, helped along by Jerry Goldsmith's terrifyingly avant-garde score. And time has not dulled the monumental emotional imp act of the film's climactic payoff shot. -Miles Bethany, Amazon. com.

Review 4 Front Video / Pitch Black [2000]
Actors & Directors
  • Lewis Fitz-Gerald
  • Radha Mitchell
  • Keith David
  • Cole Hauser
  • David Twohy
  • Vin Diesel
Release date: 2002-09-09
Run time: 104 min.
RRP: £5.99
Price: £1.93

Review Pitch Black [2000] / 4 Front Video:

Pitch Black is a guilty pleasure that surpasses expectations, even though it owes a major debt to Alien and its cinematic spawn. As he did with The Arrival, director David Twohy revitalises a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while it lasts. A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser) and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and Pitch Black settles into familiar sci-fi territory. What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of straight-to-video schlock may advance to the big leagues. Like the makers of The Blair Witch Project, Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and Pitch Black gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in High Art) and Diesel (Pvt. [+]
Caparzo from Saving Private Ryan) being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this film works better than it should. -Jeff Shannon, Amazon. com.

Actors & Directors
  • Alison Routledge
  • Norman Fletcher
  • Pete Smith (III)
  • Geoff Murphy
  • Anzac Wallace
  • Bruno Lawrence
Release date: 1993-10-12
Run time: 87 min.
Price: £12.99

Review Quiet Earth [1984] / Art House Productions Ltd.:


Review Digital Entertainment Ltd / The Dark
Actors & Directors
  • Desmond Campbell
  • Stephen McHattie
  • Dennis O'Connor
  • Brion James
  • Craig Pryce
  • Scott Wickware
Release date: 1998-11-30
Run time: 86 min.
Price: £10.99

Review The Dark / Digital Entertainment Ltd:


Review Paramount Home Entertainment / Star Trek : Deep Space Nine - Vol. 3.4 - Civil Defense / Meridian
Actors & Directors
  • Avery Brooks
  • Terry Farrell
  • Reza Badiyi
  • Siddig El Fadil
  • Cirroc Lofton
  • Rene Auberjonois
  • Jonathan Frakes
Release date: 1995-03-27
Run time: 88 min.
RRP: £5.99
Price: £0.35

Review Star Trek : Deep Space Nine - Vol. 3.4 - Civil Defense / Meridian / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Review Contender Entertainment Group / Project Shadowchaser - Beyond The Edge Of Darkness [1995]
Actors & Directors
  • Sam Bottoms
  • John Eyres
  • Christopher Neame (III)
  • Christopher Atkins
  • Musetta Vander
  • Frank Zagarino
Release date: 1998-02-02
Run time: 94 min.
Price: £10.99

Review Project Shadowchaser - Beyond The Edge Of Darkness [1995] / Contender Entertainment Group:


Review Paramount Home Entertainment / Star Trek : Deep Space Nine - Vol. 3.8 - Destiny / Prophet Motive [1996]
Actors & Directors
  • Cirroc Lofton
  • Avery Brooks
  • Rene Auberjonois
  • Terry Farrell
  • Rene Auberjonois
  • Les Landau
  • Siddig El Fadil
Release date: 1995-06-26
Run time: 88 min.
RRP: £5.99
Price: £28.40

Review Star Trek : Deep Space Nine - Vol. 3.8 - Destiny / Prophet Motive [1996] / Paramount Home Entertainment:

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists-The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. [+]
Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. -Paul Tonks.

Models & Brands:
The Sisterhood [1988], automatic, Embryo [1976], Star Trek : Deep Space Nine - Vol. 17 - Armageddon Game / Whispers [1995], Star Trek : Deep Space Nine - Vol. 4.4 - Little Green Men / Starship Down [1995], Star Trek The Next Generation: Birth Right - The Full Length TV Movie [1990], Urotsukidoji III - The Return Of The Overfiend: Episode 3, The Warning [1980], The Guyver - Data 5 - Death Of The Guyver, Star Trek : Deep Space Nine - Vol. 22 - Crossover / The Collaborator [1995], Space Rangers 3, Star Trek : Deep Space Nine - Vol. 15 - Second Sight / Sanctuary [1995], Star Trek : Deep Space Nine Vol. 4.11 - The Muse / For The Cause [1996], Planet Of The Apes [1967], Pitch Black [2000], Quiet Earth [1984], The Dark, Star Trek : Deep Space Nine - Vol. 3.4 - Civil Defense / Meridian, Project Shadowchaser - Beyond The Edge Of Darkness [1995], Star Trek : Deep Space Nine - Vol. 3.8 - Destiny / Prophet Motive [1996]

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