The 1994 film Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. Since neither Kurt Russell nor James Spader would be able to commit, it gave the producers licence to tinker with the cast and the universe they'd explore. Replacing the roles of Colonel Jack O'Neill and Dr Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" pharaoh-like Goa'uld-the ancient Egyptian Gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father literally joining a renegade faction of the Goa'uld, and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. Two more episodes are featured on this tape. Returning to the planet from the original Stargate movie, Daniel catches up with his lost wife and painfully discovers her "Secrets", meanwhile Teal'c gets stung by a giant insect in "Bane". [+]

This imaginative comedy from director Barry Sonnenfeld (Get Shorty) is a lot of fun, largely on the strength of Will Smith's engaging performance as the rookie partner of a secret agent (Tommy Lee Jones) assigned to keep tabs on Earth-dwelling extra-terrestrials. There's lots of comedy to spare in this bright film, some of the funniest stuff found in the margins of the major action (a scene with Smith's character being trounced in the distance by a huge alien while Jones questions a witness is a riot. ) The inventiveness never lets up, and the cast-including Vincent D'Onofrio doing frighteningly convincing work as an alien occupying a decaying human-hold up their end splendidly. -Tom Keogh, Amazon. com On the DVD: This Collector's Edition disc contains a "Visual Commentary" that features director Barry Sonenfeld and actor Tommy Lee Jones in an anecdotal conversation, but with the unique twist that they are displayed as silhouettes on your TV screen (imagine you're sitting in the back row of the cinema and they are up front) using a pointer to highlight particular events on screen. If you have a widescreen TV, the menu prompts you to switch to 4:3 mode to see this. There is also a "Visual Effects Scene Deconstruction" in which the tunnel scene and the Edgar Bug fight scene are dissected into their constituent parts; an in-depth documentary, "Metamorphosis of MIB", which charts the progress of the concept from comic book to screen; five "Extended and Alternate" scenes; trailers, including a teaser for MIB II; and Will Smith's "Men in Black" music video. -Mark Walker.

The 1994 film Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. Since neither Kurt Russell nor James Spader would be able to commit, it gave the producers licence to tinker with the cast and the universe they'd explore. Replacing the roles of Colonel Jack O'Neill and Dr Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" pharaoh-like Goa'uld-the ancient Egyptian Gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father literally joining a renegade faction of the Goa'uld, and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. A satisfying conclusion to the previous episode's cliffhanger is reached in "The Tok'ra (Part II)". There may only be preliminary goodwill established between Earth and the rebels, but the dangling thread bodes well. [+]

The 1994 film Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. Since neither Kurt Russell nor James Spader would be able to commit, it gave the producers licence to tinker with the cast and the universe they'd explore. Replacing the roles of Colonel Jack O'Neill and Dr Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" pharaoh-like Goa'uld-the ancient Egyptian Gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father literally joining a renegade faction of the Goa'uld, and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. O'Neill is crippled in "Spirits". Then in "The Tok'ra (Part I)", Sam's estranged father is dying of cancer, but her obligations sway her toward saving a member of the Goa'uld renegade Tok'ra who is also dying. [+]

The granddaddy of giant monster movies, The Lost World was one of the most expensive movies ever made in 1925, costing more than a million dollars, and has remained one of the most influential. Every larger-than-life creature feature since-from King Kong to Godzilla and Jurassic Park-owes a debt to this original adventure fantasy based on Arthur Conan Doyle's novel. It's the story of a maverick scientist (Wallace Beery under a bushy beard) who finds a land that time forgot on a plateau deep within the South American jungles and comes back to London with a captured brontosaurus to prove it. His expedition includes Bessie Love, the daughter of an explorer who disappeared on the previous expedition, and big game hunter Lewis Stone. The ostensible stars of the picture are all upstaged by Willis O'Brien's dinosaurs, simple models brought to life with primitive stop-motion animation (the technique was soon to be perfected by O'Brien for King Kong). Hardly realistic by any measure, these pioneering special effects are still a sight to behold, especially the lumbering brontosaurus which receives the most care from O'Brien, both foraging in his jungle and rampaging through the streets of London. With the coming of talkies, The Lost World became obsolete: all known American prints were destroyed in favour of a sound remake (which became King Kong) and the film only survived in a severely truncated form (even the original negative was lost). For this release David Shepard meticulously "rebuilt" the film using material from eight different surviving prints from all over the world, cleaning and restoring along the way. The result is 50% longer than previously extant prints, still not complete but closer than any version since its 1925 debut. The difference is not merely in restored scenes but in a rediscovered sense of grace in scenes filled out to their original detail and pace. [+]

A "Light Universe" and a "Dark Zone" keep good and bad apart for the characters of Lexx, even though it's often hard to tell the difference between the two in this offbeat and unique sci-fi show that delights in its own nastiness. With flashes of nudity and surgical gore, and a collection of extreme hairstyles and accents, the show's overall look is often akin to a sci-fi Eurotrash. Aboard the stolen 10-kilometre-long spaceship Lexx (designed to look like a dragonfly) are the "Dirty Three-and-a-Half": insufferable coward Stanley H. Tweedle (Brian Downey), the Edward Scissorhands clone and 2000-years-dead Kai (Michael McManus), decapitated and lovestruck robot head 790 (voiced by writer Jeffrey Hirschfield), and the skimpily wardrobed Zev (Eva Habermann), replaced for Season Two by Xev (Xenia Seeberg). A disregard both for genre conventions and good taste makes the show a constant series of surprises: by the time of the third season, the expression "anything goes" had long passed being understatement. On this tape: Desperate to call Mantrid's bluff, the Lexx crew are even prepared momentarily to trust his old tutor the Bio Vizier "Brizon". They know he has some treacherous agenda, but never guess what until it's almost too late. The storyline links straight into "End of the Universe", and the season finale sees every player of Mantrid's game attempting checkmate. 790 builds a counter army of Drone Arms, but it's to be Lyekker's efforts that once again save the day. The show ends with the very definition of a Big Bang, and leaves everything under one enormous question mark. [+]

One of the most popular and influential shows in the history of television, for many viewers the original Star Trek (1966-9) defines good science fiction: however much it tries to be about the future, it cannot help but reflect the values of its own time, and Star Trek's vision was very much a product of creator Gene Roddenberry's 1960s liberal-humanist idealism. Conceived at the height of the Cold War and during the escalation of the Vietnam conflict, his was a radical vision of a world where national and racial differences have been put aside and all people work together. With a policy of non-intervention in the affairs of other civilisations, and violence only as a last resort, Star Trek embodied a lost dream, a fantasy of what America could have been had John F Kennedy not been assassinated in 1963. Captain James Tiberius Kirk (William Shatner) had the middle name of a Roman emperor, but otherwise shared his initials with the late president, and both were young, good-looking, womanising, charismatic popular heroes. If Kirk didn't uphold truth, justice and the American way from the White House, a big white starship was the next best thing. There was even a Russian, Mr Chekov (Walter Koenig), on the bridge, and the show delivered network TV's first inter-racial kiss between Kirk and Uhura (Nichelle Nichols). Even though there was a white American male in control, it was still all a bit much for 1960s mainstream TV, hence the voyages of the Starship Enterprise, boldly going on its five-year mission to explore strange new worlds, only lasted three seasons and 72 episodes before being cancelled in 1969, the year man first walked on the moon. While the once-ground-breaking special effects now look routine, and the then-radical politics have now become part of the politically correct global mainstream, Star Trek retains an enduring popularity due to its strong storytelling-the show employed such top science fiction writers as Robert Bloch, Harlan Elllison, Richard Matheson, Norman Spinrad and Theodore Sturgeon-and admirable characters. Spock (Leonard Nimoy), McCoy (DeForest Kelley) and Scotty (James Doohan), Sulu (George Takei), Kirk, Chekov and Uhura remain icons for a world short of real heroes: loyal to the end, honest and utterly dedicated, these were the friends and colleagues who week after week trusted each other with their lives. Devoid of cynicism and self-interest the crew of the USS Enterprise never, ever let anyone down, and ultimately that is a very big reason for Star Trek's enduring popularity. [+]

Two years after leaving the grungy cyberpunk calling card of the original Tetsuo, Shinya Tsukamoto re-enters the world of flesh and metal metamorphoses with Tetsuo II: The Body Hammer, a more narratively ambitious film that is neither sequel nor remake, but a rethinking of the ideas on a bigger scale with more impressive effects. The film begins in the recognisable world of the thriller, where a young middle-class couple see their son kidnapped by mysterious hoodlums, and then takes an abrupt turn into an underworld of cybermen led by a mad scientist performing twisted experiments. The father (Tomoroh Taguchi, returning from the first film), filled with rage and shame at his powerlessness, suddenly transforms into a robotic warrior and becomes overwhelmed by the power, simultaneously terrified and ecstatic. Unlike in the original, Tsukamoto offers an explanation, for what it's worth, but the power lies not in the story but the nightmarish imagery and the themes of the marriage of flesh and technology, metal and magic. With an ample budget at his disposal (not to mention colour), Tsukamoto ups the conflict to a battle of biblical proportions while maintaining the brooding, terrifying, nightmarish quality. Tsukamoto's gory, violent vision of technology run amok is not for everyone, but fans of David Lynch and David Cronenberg will find his dangerous visions just as creatively disturbing. -Sean Axmaker.

Star Trek V left us nowhere to go but up, and with the return of Wrath of Khan director Nicholas Meyer, this sixth instalment restored the movie series to its classic blend of space opera, intelligent plotting and engaging interaction of stalwart heroes and menacing villains. Borrowing its subtitle (and several lines of dialogue) from Shakespeare, the movie finds Admiral Kirk (William Shatner) and his fellow Enterprise crew members on a diplomatic mission to negotiate peace with the revered Klingon Chancellor Gorkon (David Warner). When the high-ranking Klingon and several officers are ruthlessly murdered, blame is placed on Kirk and crew. The subsequent investigation, which sees Spock taking on the mantle of Sherlock Holmes, uncovers an assassination plot masterminded by the nefarious Klingon General Chang (Christopher Plummer) in an effort to disrupt a historic peace summit. As this political plot unfolds, Star Trek VI takes on a sharp-edged tone, with Kirk and Spock confronting their opposing views of diplomacy and testing their bonds of loyalty when a Vulcan officer is revealed to be a traitor. With a dramatic depth befitting what was to be the final movie mission of the original Enterprise crew, this film took the veteran cast out in respectably high style, with the torch being passed to the crew of Star Trek: The Next Generation in the following movie, Star Trek: Generations. -Jeff Shannon, Amazon. com.

The 1994 film Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. Since neither Kurt Russell nor James Spader would be able to commit, it gave the producers licence to tinker with the cast and the universe they'd explore. Replacing the roles of Colonel Jack O'Neill and Dr Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" pharaoh-like Goa'uld-the ancient Egyptian Gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father literally joining a renegade faction of the Goa'uld, and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. Prepare for a science lesson (one of the series' strengths) in "A Matter of Time" as the gang ponders how to resist a black hole's pull. The second episode on this tape carries a voice from the past through O'Neill's lips as the "Fifth Race" demands to be heard. [+]

When Babylon 5 finished its promised five-year run, it was obvious some things had been left out. Numerous plotlines lay casually unresolved and way too many "hints" looked ahead to an ominous future. With the Shadows dispatched at the end of the Great War, the final season revealed a race of hangers-on who stayed behind to continue the mischief-making. The biggest clue that more was to follow, came in the fourth TV movie A Call To Arms which introduced several new characters into the mix. Here we saw the Drakh's final "Planet Killer" let loose in Earth's atmosphere-a deadly virus that will take five years to adapt to human DNA, and then wipe it out. The rather high-stakes solution offered by Earthgov is to send an experimental starship, the Excalibur, out into the galaxy to find a cure. The Excalibur's crew is headed up by Gary Cole as Capt. Matthew Gideon; a no-nonsense leader whose principles seem to be challenged every show ("I'm not subtle. I'm not pretty. And I'll piss off a lot of people along the way. [+]

A "Light Universe" and a "Dark Zone" keep good and bad apart for the characters of Lexx, even though it's often hard to tell the difference between the two in this offbeat and unique sci-fi show that delights in its own nastiness. With flashes of nudity and surgical gore, and a collection of extreme hairstyles and accents, the show's overall look is often akin to a sci-fi Eurotrash. Aboard the stolen 10-kilometre-long spaceship Lexx (designed to look like a dragonfly) are the "Dirty Three-and-a-Half": insufferable coward Stanley H. Tweedle (Brian Downey), the Edward Scissorhands clone and 2000 years-dead Kai (Michael McManus), decapitated and lovestruck robot head 790 (voiced by writer Jeffrey Hirschfield), and the skimpily wardrobed Zev (Eva Habermann), replaced for Season Two by Xev (Xenia Seeberg). A disregard both for genre conventions and good taste makes the show a constant series of surprises: by the time of the third season, the expression "anything goes" had long passed being understatement. On this tape: "The Net" is "The Web" all over again, but with extended shots and external footage of what is happening to The Lexx. Some TV shows cobble together a "clips episode" toward a season's end in order to save budget. Lexx proves itself different yet again with this ingenious idea. The difference continues into "Brigadoom", which is a musical! A theatre appears from nowhere to put on a show telling the tale of the Brunnen-G: Kai and Xev take to the boards, and sing along, quite oblivious to the fact sci-fi usually can't pull this sort of thing off. They do. [+]