The second and last of Anthony Mann's historical epics is a smart, handsome spectacle of the decadence, corruption, and intrigue that tore apart the greatest empire the world has seen. The sprawling story spreads itself thin over a number of characters and stories. At the centre are handsome but stiff Stephen Boyd as Livius, the loyal soldier and symbolic son of the ageing emperor Marcus Aurelius(Alec Guinness), and Christopher Plummer as Commodus, the corrupt heir to the throne. They are boyhood friends turned enemies when the latter accedes to the throne and sells out the values of his father for greed and hedonistic pleasures. The three-hour running time is filled out with the tales of Sophia Loren (as the beautiful Lucilla in love with Livius but coveted by greedy Commodus) and a gallery of heroes and villains that includes James Mason, Mel Ferrer, Anthony Quayle, John Ireland, Omar Sharif, and Eric Porter. The film is highlighted with spectacular scenes-a grandiose funeral fit for an emperor, brutal battles in the provinces as the barbarians threaten the empire, and a climactic duel to decide the destiny of Rome-which Mann weaves into the shadowy intrigue of the halls of power. Like his previous epic El Cid, The Fall of the Roman Empire remains one of the best of the 1960s epics: well written (and historically accurate up to a point) with strong performances and a consistently elegant style, It lacks a central core and the magnetic hero of its superior predecessor. Ridley Scott's Gladiator (2000) tackles the same story with an updated action-adventure slant. -Sean Axmaker The second and last of Anthony Mann's historical epics is a smart, handsome spectacle of the decadence, corruption and intrigue that tore apart the Roman empire. The sprawling story spreads itself thin over a number of characters and stories. [+]

Perhaps the quintessential example of the intimate epic, Nicholas and Alexandra is the compelling story of Nicholas II (Michael Jayston), the last Czar of Russia, and his wife Alexandra (Janet Suzman). Director Franklin J Schaffner frames the intimate lives of the Imperial Couple against the dramatic backdrop of the Russian Revolution, creating the filmic equivalent of a monumental frieze. Private and public lives intersect when Alexandra, who has clearly read Macbeth, influences Nicholas into several misguided actions while coping with her haemophilic newborn son. Schaffner builds suspense wonderfully as he illuminates the couple's mysterious bond to the mystical Rasputin (Tom Baker) and the events leading to their execution. Nominated for Best Picture, the splendidly lensed Nicholas and Alexandra earned two Oscars for its delicious eye candy (Art Direction, Costume Design). -Kevin Mulhall.