British East Africa, 1923. Harry Rudbeck, an ambitious army officer, wants to build a road to bring the outside world to the backwater town where he is posted. Struggling to find ways around Foreign Service bureaucracy, he relies on his resourceful African clerk, Mr. Johnson. But when Johnson's can-do attitude runs afoul of British law, Rudbeck must make a painful decision. The film is deliberately paced, and the topnotch cinematography, art direction, and soundtrack all conspire to immerse you into the sweltering heat of East Africa. Maynard Eziashi gives winning performance as Johnson, a man so intent on becoming important that it destroys him. Like many of director Bruce Beresford's movies, Mister Johnson is a clear-eyed look at the way a collision of two cultures can lead to tragedy. Rudbeck must ultimately face the fact that his own ambition leads to the death of his friend, and Pierce Brosnan (as Rudbeck) and Beresford refuse to sentimentalise the man at all. Among Beresford's films, this is much closer in tone to Breaker Morant than to the kinder, gentler Driving Miss Daisy. [+]

The flaws are easily forgiven in this beautiful version of Louisa May Alcott's novel. A stirring look at life in New England during the Civil War, Little Women is a triumph for all involved. We follow one family as they split into the world, ending up with the most independent, the outspoken Jo (Winona Ryder). This time around, the dramatics and conclusions fall into place a little too well, instead of finding life's little accidents along the way. Everyone now looks a bit too cute and oh, so nice. As the matron, Marmee, Susan Sarandon kicks the film into a modern tone, creating a movie alive with a great feminine sprit. Kirsten Dunst (Interview with the Vampire) has another showy role. The young ensemble cast cannot be faulted, with Ryder beginning the movie in a role akin to light comedy and crescendos to a triumphant end worthy of an Oscar. -Doug Thomas.

It's easy to forget that before fronting the British war effort through most of World War II, Winston Churchill had spent the previous decade isolated in Parliament and in internal opposition to the Conservative party. Winston Churchill: The Wilderness Years dramatises this period in which the growing menace of Nazism in Germany was met with indifference, even fear by governments of the day who were more concerned with their survival than in serving those who had elected them. Churchill is perceptively played by Robert Hardy, confirming the image without falling into caricature. Visionary and obstinate by turns, he galvanises his supporters and enrages his enemies with a passion borne of conviction. A seasoned British cast includes Peter Barkworth as the amiable but ineffectual Stanley Baldwin, Eric Porter as the truly "out of time" Neville Chamberlain, Edward Woodward as the scheming Samuel Hoare and Nigel Havers as the tragically flawed Randolph Churchill. Martin Gilbert has done a persuasive job transforming his novel into a TV script, the scenes in the House of Commons having a gritty reality that makes compulsive viewing. On the DVD: it's a pity that the Southern Pictures production, first screened in 1981, has emerged so dimly in this incarnation. Has the master tape eroded so badly, or was it simply not available? However, it's worth putting up with the technical defects to enjoy this historically informed and grippingly dramatic serial. -Richard Whitehouse.

A stupendous historical saga, Braveheart won five Oscars, including Best Picture and Best Director for star Mel Gibson. He plays William Wallace, a 13th-century Scottish commoner who unites the various clans against a cruel English King, Edward the Longshanks (Patrick McGoohan). The scenes of hand-to-hand combat are brutally violent, but they never glorify the bloodshed. There is such enormous scope to this story that it works on a smaller, more personal scale as well, essaying love and loss, patriotism and passion. Extremely moving, it reveals Gibson as a multitalented performer and remarkable director with an eye for detail and an understanding of human emotion. (His first directorial effort was 1993's Man Without a Face. ) The film is nearly three hours long and includes several plot tangents, yet is never dull. This movie resonates long after you have seen it, both for its visual beauty and for its powerful story. -Rochelle O'Gorman Mel Gibson's birth-of-a-nation epic Braveheart does for England what Spartacus did for Rome: every Englishman in this film is weak or nasty or a fool, or all three. Gibson plays William Wallace, the highland warrior whose fierce fighting spirit prompted Robert the Bruce's memorable victory over the English at Bannockburn. [+]

What's a director to do? Andy Tennant's previous film was the highly enjoyable Cinderella romance Ever After, which vanished from theatres and became a video hit. Then Tennant made this gorgeous, non-musical version of Anna and the King, and once again felt the sting of box-office failure. Both films deserved better, and this Anna is certain to eventually find the appreciative audience that eluded it in the cinemas. In many ways, this delightful costume romance transcends the latter-day quaintness of The King and I to offer a more lavish and rewarding version of the story of Anna Leonowens, based on her diaries and first told in Margaret Landon's 1944 novel. In an otherwise admirable performance (although many felt her miscast), Jodie Foster struggles with her Victorian accent as Anna, the grieving widow who arrives in Siam in 1860 with her young son. Having accepted a post as tutor for the many children of the polygamous King Mongkut (Chow Yun-Fat), Anna finds herself drawn to the progressive monarch, whose passions swirl in a turbulent political climate. If the chemistry isn't entirely there, this culture clash still has plenty of regal charm, and Luciana Arrighi's production design is appropriately magnificent. Humour and politics are given equal measure, and Chow Yun-Fat is arguably the most endearing king to date-powerful yet tender, forceful but anguished by the heavier burdens of leadership. Bai Ling's intense performance as the tragic lover Tuptim adds emotional depth to one of the most underrated films of 1999. -Jeff Shannon.

Harry S Truman had a hard row to hoe as the 33rd president of the USA, and he never enjoyed popularity while in office. Think about what occurred on Truman's watch: the bombing of Hiroshima, a nationwide railroad strike, the rise of the Southern State's Rights party, integration of the armed forces, the ascendancy of McCarthyism, the early Cold War and finally the Korean Conflict and Truman's decision to fire General MacArthur. Few American presidents have been faced with more difficult and dangerous times than Truman. It wasn't until some 50 years later that Harry Truman, a farmer from Missouri, got his due appreciation in the history books. Truman follows the man from his beginnings as an artillery officer in WWI through his connections with Missouri's Pendergast political machine, onward to Washington. The always excellent Gary Sinise is a perfect fit for the Truman character, having obviously studied the President's plainspoken Missouri twang and ramrod-straight bearing at great length. Diana Scarwid is also very good as Truman's long-suffering wife Bess; the film studies the relationship between the two in some depth, and also sheds light on the men who surrounded Truman in Washington. Truman's chief failing is that in its effort to detail 40 years of the man's life, certain historical events are given short shrift in order to fit them all in. Nonetheless, Sinise inhabits Harry Truman's character well; the scene where the President ruminates on dining alone in the White House (while Bess is back in Missouri) is a great, understated comment on the loneliness, isolation and stress of the job. -Jerry Renshaw.

Most people didn't mind Gwyneth Paltrow's English accent in this charming, 1996 adaptation of Jane Austen's novel (which also inspired Clueless). But even if it doesn't sound quite right to you, there are plenty of authentic and wonderful Brit thespians in this film by screenwriter-turned-director Douglas McGrath (co-author of Woody Allen's Bullets Over Broadway), including Juliet Stevenson (Truly Madly Deeply), Alan Cumming (Buddy), Phyllida Law (Much Ado About Nothing), Ewan McGregor (the Scots star of Trainspotting) and Sophie Thompson, outstanding and finally heartbreaking as the chattering Miss Bates. Paltrow plays Austen's benign busybody, Emma Woodhouse-so busy trying to arrange the lives of others that she is sidestepping her own. McGrath brings a kind of pretty and light touch to the production, his best move the wise delegation of creative authority to the actors themselves. -Tom Keogh Most people didn't mind Gwyneth Paltrow's English accent in this charming 1996 adaptation of Jane Austen's novel Emma. There are also plenty of authentic and wonderful Brit thespians in this film by screenwriter-turned-director Douglas McGrath (co-author of Woody Allen's Bullets Over Broadway), including Juliet Stevenson (Truly Madly Deeply), Phyllida Law (Much Ado About Nothing), Ewan McGregor and Sophie Thompson who offers an outstanding and finally heartbreaking turn as the chattering Miss Bates. Paltrow plays Austen's benign busybody, Emma Woodhouse-so busy trying to arrange the lives of others that she is sidestepping her own. McGrath brings a kind of pretty and light touch to the production; his best move the wise delegation of creative authority to the actors themselves. -Tom Keogh, Amazon. com Emma Thompson scores a double bull's-eye with this marvellous adaptation of Jane Austen's novel. [+]

In 1983, the BBC made this 261-minute mini-series from Jane Austen's novel Mansfield Park. Austen explores the well-trodden theme of class distinction and the triumph of love, but Fanny Price (Sylvestra Le Touzel) is an original Austen creation. Fanny, from a large and poor family, is taken into the home of her wealthy uncle and aunt, the stoic Sir Thomas Bertram (Bernard Hepton) and the childlike Lady Bertram (Angela Pleasence, daughter of actor Donald). Also residing at the posh Bertram mansion are the oldest son, irresponsible Tom (Christopher Villiers), distant Julia (Liz Crowther) and the kindly Edmund (Nicholas Farrell). If you can get past Le Touzel's odd mannerism of making little chopping movements with her open-palmed hand for emphasis, this is a faithful adaptation of the novel. It's much slower than Northanger Abbey and lacks some of the passionate drama of Pride and Prejudice and Sense and Sensibility, but it still depicts a strong yet very kind heroine who stands up for what she believes in. When popular philanderer Henry Crawford (Robert Burbage) actually falls for and proposes to Fanny, she rejects him, much to the surprise and disdain of the Bertrams-except, of course, for our hero Edmund. For trivia buffs: Jonny Lee Miller, who plays young Charles Price (one of Fanny's brothers), has the role of Edmund Bertram in the 1999 theatrical version of Mansfield Park. -N. F. [+]