It's hard to imagine how shocking this film was when it first broke on the film scene in 1968. There's never been anything quite like it, though it's inspired numerous pale imitations. Part of the terror lies in the fact that this one's shot in such a raw, unadorned fashion it feels like a home movie, and all the more authentic for that. Another is that it draws us into its world gradually, content to establish a merely spooky atmosphere before leading us through a horrifically logical progression that we could hardly have anticipated. The story is simple. Radiation from a fallen satellite has caused the dead to walk and hunger for human flesh. Once bitten, you become one of them. And the only way to kill one is by a shot or blow to the head. We follow a group holed up in a small farmhouse to fend off the inevitable onslaught of the dead. And it's the tensions between the members of this unstable, makeshift community that drive the film. [+]

A "Light Universe" and a "Dark Zone" keep good and bad apart for the characters of Lexx, even though it's often hard to tell the difference between the two in this offbeat and unique sci-fi show that delights in its own nastiness. With flashes of nudity and surgical gore, and a collection of extreme hairstyles and accents, the show's overall look is often akin to a sci-fi Eurotrash. Aboard the stolen 10-kilometre-long spaceship Lexx (designed to look like a dragonfly) are the "Dirty Three-and-a-Half": insufferable coward Stanley H. Tweedle (Brian Downey), the Edward Scissorhands clone and 2,000 years-dead Kai (Michael McManus), decapitated and lovestruck robot head 790 (voiced by writer Jeffrey Hirschfield), and the skimpily wardrobed Zev (Eva Habermann), replaced in Season Two by Xev (Xenia Seeberg). A disregard both for genre conventions and good taste makes the show a constant series of surprises: by the time of the third season, the expression "anything goes" had long passed being understatement. On this tape: At last all questions are answered in what might as well be a two-part finale. "The Beach" would for any other series be considered the clips show: on an idyllic yet purgatorial stretch of sand, Stan is forced to account for his life by viewing events of the past. Judged by his harshest critic-himself-he then suffers all that Prince has promised and more as the true meaning of "Heaven and Hell" is revealed. Creator Paul Donovan clearly maintained a strong hand in every aspect of this season, but in directing his own work with these last two episodes we witness a genuinely rare example of personal vision. The narrative has been consistently surprising, but the twist left for last is literally breathtaking. [+]

In 1976 The Omen was a hit among critics and audiences hungry for more after The Exorcist with its mixture of Gothic horror and mystery and its plot about a young boy suspected of being the personification of the Antichrist. Directed by Richard Donner (best known later for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast". At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect, and the mood of dread and potential death is masterfully maintained. It's all a bit contrived, with a lot of biblical portent and sensational fury, but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. -Jeff Shannon, Amazon. com On the DVD: The all-new 45-minute documentary, "666: The Omen Revealed", has contributions from all the major behind-the-scenes players, including director, editor, screenwriter (who confesses the movie was only set in England because he wanted a free trip to London), producer and composer. The latter, Jerry Goldsmith, has his Oscar-winning contribution to the movie recognised with a separate feature in which he talks through four key musical scenes in the score. There's also a thought-provoking short called "Curse or Coincidence?" in which the many bizarre accidents that happened during shooting are related, including the terrible story of what happened to the girlfriend of the man responsible for designing the decapitation scene-spooky. Director Richard Donner and editor Stuart Baird provide a chatty audio commentary to the film, and the DVD package is completed by the original theatrical trailer. [+]