From a script cowritten with his fellow Monty Python veteran Michael Palin, Terry Gilliam pulled out all the stops on his prodigious imagination for this comedy-fantasy from 1981. Film critic Pauline Kael was right when she wrote, "This may be one of those rare pictures that suffers from a surfeit of good ideas," because there's not enough plot to keep pace with the sheer inventiveness of Gilliam's filmmaking. That hasn't stopped Time Bandits from becoming a classic, of sorts, attracting a cult following as a semi-reunion of the Python gang (with Palin and John Cleese making splendid appearances) and a rousing adventure of near-epic proportions. It's about a kid named Kevin (Craig Warnock) who joins a band of mischievous dwarves on a jaunt through various eras and epochs. They've stolen a map to holes in the space-time continuum that belongs to the Supreme Being (suitably played by Sir Ralph Richardson), and as Kevin survives a variety of heroic adventures, including an encounter with King Agamemnon (Sean Connery) and an Evil Genius (David Warner) who pursues the coveted map using his nefarious magical powers. As a warm-up for Gilliam's later, even more ambitious fantasies, Brazil and The Adventures of Baron Munchausen, this is a dazzling dose of cinematic whimsy, and Gilliam doesn't compromise the darkness of his tale with an artificially upbeat ending. There's as much menace in Time Bandits as there is an awesome sense of wonder, and that gives the movie an extra kick of timeless appeal. -Jeff Shannon With Time Bandits, only his second movie as director, Terry Gilliam's barbed humour and hyperactive visual imagination got themselves gloriously into full gear. Sketched out in a matter of weeks over Michael Palin's kitchen table while Gilliam struggled to get his dream project Brazil off the ground, this is a children's film made by a director who "hates kid films" and all the "mawkish sentimental crap" that goes with them. The 11-year-old hero, Kevin, finds himself lugged out of his suburban bedroom and off through a series of wormholes in time and space by a gang of rapacious, bickering midgets in search of loot, en route encountering (and casually despoiling) a gallery of eminent historical figures that include Agamemnon, Napoleon and Robin Hood, along with assorted ogres, giants and monsters. [+]

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Tired but watchable adaptation of the popular 60s TV show of a friendly Martian who lives with an agreeable earthling. Like Disney's other live-action remakes 101 Dalmatians and Flubber, the emphasis is on quick-moving scenes and special effects-not character. Jeff Daniels is the bemused earthling who gets to know Christopher Lloyd's alien ways. Much of the film feels like a retread borrowing heavily from other sci-fi comedies (and "fish out of water" films), including Lloyd's own Back to the Future. Lloyd and his talking space suit (voiced by Wayne Knight who brings the same personality as his Newman role on Seinfeld) don't know simple Earth customs but inexplicably know every pop culture reference in the last 10 years. Daryl Hannah and Elizabeth Hurley are along for the ride as Daniels' good-girl and bad-girl flames. TV's Martian, Ray Waltson, shows up as a secret agent alien hunter-and pours more emotion into his scenes than the rest of the movie combined. Ages 6 and up. -Doug Thomas.

The surprise hit of 1995, this splendidly entertaining family film was nominated for six Academy Awards, including best picture, director, and screenplay, and deservedly won the Oscar for its subtly ingenious visual effects. Babe is all about the title character, a heroic little pig who's been taken in by the friendly farmer Hoggett (Oscar nominee James Cromwell), who senses that he and the pig share "a common destiny. " Babe, a popular mischief-maker the Australian farm, is adopted by the resident border collie and raised as a puppy, befriended by Ferdinand the duck (who thinks he's a cockerel), and saves the day as a champion "sheep-pig. " Filled with a supporting cast of talking barnyard animals and a chorus of singing mice (courtesy of computer enhancements and clever animatronics), this frequently hilarious, visually imaginative movie has already taken its place as a family classic with timeless appeal. -Jeff Shannon.

Jim Carrey is up to all his old tricks (and some nifty new ones) in The Grinch Who Stole Christmas, a live-action film of Dr Seuss's holiday classic. Under a thick carpet of green-dyed yak fur and wonderfully expressive Rick Baker makeup, he commands the title role with equal parts madness, mayhem, pathos and improvisational genius, channelling Grinchness through his own screen persona so smoothly that fans of both Carrey and Dr Seuss will be thoroughly satisfied. Adding to the fun is a perfectly pitched back-story sequence (accompanied by Anthony Hopkins's narration) that explains how the Grinch came to hate Christmas, with a heart "two sizes too small". Ron Howard proves a fine choice for the director's chair with a keen balance of comedy, sentiment and light-hearted Seussian whimsy. Production designer Michael Corenblith gloriously realises the wackiness of Whoville architecture, and his rendition of the Grinch's Mt Crumpit lair is a marvel of cartoonish, subterranean grime. Then there's Cindy Lou Who (Taylor Momsen), the thoughtful imp who rallies her village to recapture the pure spirit of Christmas and melts the gift-stealing Grinch's cold, cold heart. You've even got a dog (the Grinch's good-natured mongrel, Max) who's been perfectly cast, so what's not to like about this dazzling yuletide movie? The production gets a bit overwhelmed by its own ambition, and the citizens of Whoville (including Jeffrey Tambor, Christine Baranski, Molly Shannon and Bill Irwin) pale in comparison to Carrey's inspired lunacy, but who cares? If a film can unleash Jim Carrey at his finest, revamp the Grinch story and still pay tribute to the legacy of Dr Seuss, you can bet it qualifies as rousing entertainment. (Ages five and older. ) -Jeff Shannon, Amazon. com. [+]