The original Planet of the Apes is that rarity of the genre: a science fiction film that has dated not one bit: its intelligent script, frightening costuming, and savagely effective conclusion (which needs no big-budget special effects to augment its impact) remain both potent and relevant. When Colonel George Taylor (the fabulous Charlton Heston) crash lands his spacecraft on what seems to be an unfamiliar planet, he is captured and held prisoner by a dominant race of rational, articulate apes. However, the ape community is riven with internal dissension, centred in no small part on its policy toward humans, who, on this planet, are treated as mindless animals. Befriended and ultimately assisted by the more liberal simians, Taylor escapes-only to find a more terrifying obstacle confronting his return home. Heavy-handed object lessons abound-the ubiquity of generational warfare, the inflexibility of dogma, the cruelty of prejudice-and the didactic finger prints of The Twilight Zone's Rod Serling are very much in evidence here. But director Franklin Schaffner has a dark, pop-apocalyptic sci-fi vision all of his own, helped along by Jerry Goldsmith's terrifyingly avant-garde score. And time has not dulled the monumental emotional imp act of the film's climactic payoff shot. -Miles Bethany, Amazon. com.

Roger Moore was nearing the end of his reign as James Bond when he made Octopussy, and he looks a little worn out. But the movie itself infuses some new blood into the old franchise, with a frisky pace and a pair of sturdy villains. Maud Adams-who'd also been in The Man with the Golden Gun-plays the improbably named Octopussy, while old smoothie Louis Jourdan is her crafty partner in crime. There's an island populated only by women, as well as a fantastic sequence with a hand-to-hand fight on a plane-and on top of a plane. The film even has an extra emotional punch, since this time 007 is not only following the orders of Her Majesty's Secret Service, but he is also exacting a personal revenge: a fellow double-0 agent has been killed. Two Bond films were actually released in 1983 within a few months of each other, as Octopussy was followed by Sean Connery's comeback in Never Say Never Again. The success of both pictures proved that there was still plenty of mileage left in the old licence to kill, though Moore had one more workout-A View to a Kill-before hanging it up. And that title? The franchise had already used up the titles to Ian Fleming's novels, so Octopussy was taken from a lesser-known Fleming short story. -Robert Horton, Amazon. com On the DVD: The high standard of these 007 discs is maintained here, with another extra-packed selection. [+]

The British spy with a licence to kill takes on his dark underworld double, a classy assassin who kills with golden bullets at £1 million a hit. Roger Moore, in his second outing as James Bond, meets Christopher Lee's Scaramanga, one of the most magnetic villains in the entire series, in this entertaining but rather wan entry in the 007 sweepstakes. Bond's globetrotting search takes him to Hong Kong, Bangkok, and finally China, where Scaramanga turns his island retreat into a twisted theme park for a deadly game of wits between the gunmen, moderated by Scaramanga's diminutive man Friday Nick Nack (Fantasy Island's Hervé Villechaize). Britt Ekland does her best as an embarrassingly inept Bond girl, a clumsy, dim agent named Mary Goodnight who looks fetching in a bikini, while Maud Adams is Scaramanga's tough but haunted lover and assistant. Clifton James, the redneck sheriff from Live and Let Die, makes an ill-advised appearance as a racist tourist. He briefly teams up with 007 in what is otherwise the film's highlight, a high-energy chase through the crowded streets of Bangkok that climaxes with a breathtaking mid-air corkscrew jump. Bond and company are let down by a lazy script, but Moore balances the overplayed humour with a steely performance and Lee's charm and enthusiasm makes Scaramanga a cool, deadly, and thoroughly enchanting adversary. -Sean Axmaker, Amazon. com.

The Evil Cult (aka "Lord of the Wu Tang") is a wildly and wacky supernatural epic in which Jet Li masquerades as Mo-kei, a weakling warrior orphaned as a child when his parents are killed by two evil Jinx warlords. Chased out of the Wu Tang compound by a leader who considers him a liability, Mo-kei (and his female protectress) find themselves trapped in a dark abyss where they stumble upon a "cooking monk" trapped in a massive boulder who holds the secret to a lost form of Shaolin kung fu. They trick him into teaching Mo-kei the secret of his "solar stance". Newly empowered, Mo-kei sets off to find his maternal grandfather, King of the Gold Lion (de facto leader of the Evil Cult), to rally his clan with the Wu Tang in order to defeat the stifling government forces and exact revenge on the terrible Jinxes. Martial Law's Sammo Hung appears as Chang San Fung, Tai Chi Master of the Wu Tang clan (Hung also choreographed the action sequences for this film). Director Wong Jing (who also helmed the God of Gamblers series, Hard Boiled 2, and Return to a Better Tomorrow) just about keeps a handle on the plot and ably directs the stunning action sequences, some of which occur on battlefields swarming with soldiers. On the DVD: the main feature is presented in letterboxed format with original Cantonese dialogue and English subtitles. The print is generally of good quality but afflicted with blemishes and white flecks throughout. The subtitles are clear but their awkward translation and speed of transition serve at times to make an already convoluted plot harder to understand. It's a shame that an option to listen to a dubbed soundtrack wasn't added as the dubbed theatrical trailer (included here) enhances the daffiness of the movie. [+]

Dry as ice, dripping with deadpan witticisms, only Sean Connery's Bond would dare to disparage the Beatles, that other 1964 phenomenon. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon 53 out of the fridge. Goldfinger contains many of the most memorable scenes in the Bond series: gorgeous Shirley Eaton (as Jill Masterson) coated in gold paint by evil Auric Goldfinger and deposited in Bond's bed; silent Oddjob, flipping a razor-sharp bowler like a Frisbee to sever heads; our hero spread-eagled on a table while a laser beam moves threateningly toward his crotch. Honor Blackman's Pussy Galore is the prototype for the series' rash of man-hating supermodels. And Desmond Llewelyn reprises his role as Q, giving Bond what is still his most impressive car, a snazzy little number that fires off smoke screens, punctures the tyres of vehicles on the chase, and boasts a handy ejector seat. Goldfinger's two climaxes, inside Fort Knox and aboard a private plane, have to be seen to be believed. -Raphael Shargel, Amazon. com- On the DVD: Featuring interviews with Honor Blackman, Shirley Eaton, the late Desmond Llewelyn and most of the surviving core cast and crew members, great on-set footage (Blackman and Connery look like they clearly had the hots for each other even when the camera weren't rolling) and a strong argument about how this firmed up the gadget-orientated, thrills-and-spills formula for the franchise, John Cork's "making of" featurette for this DVD is one of the most rewarding in this series. The two commentary tracks have moderately interesting observations by director Guy Hamilton, the cast and crew (many of their comments recycled from the documentary), and on both Bond superfan-and-author Lee Pfeiffer filling in blanks and explaining in exhaustive detail the history of the Aston Martin DB5 that first appeared in this film. Also included is an open-ended 1964 interview with Sean Connery, designed so that American radio disc jockeys could pretend they had an exclusive interview with the star, in which he extols the series' "sadism for the family" among other things. [+]

Released in 1992, Hard Boiled is John Woo's farewell to the kind of blood-spattered cinema of vengeance and redemption with which he had made his name as a director in Hong Kong during the late 1980s. The following year he was in Hollywood filming Hard Target with Jean-Claude Van Damme, and an era had effectively ended. This might explain the elegiac feel Woo brings to his study of two men haunted by the violent consequences of their actions. Chow Yun Fat generates tremendous sullen energy in his portrayal of Tequila, a plain-clothes cop who not only loses his partner in a shoot-out with a gang of underground gunrunners but also discovers that he's unwittingly killed a fellow officer working undercover. Playing opposite him is Tony Leung as the enigmatic Tony, a young police officer who has secretly managed to penetrate the world of illegal arms-dealing in the guise of a cold-blooded gangland assassin. With rival gangs fighting over the weapons trade and Tequila gunning for Tony, unaware of his true identity, Hard Boiled has an unsurprisingly high body count, particularly when the various factions converge on a private hospital, reducing it by the movie's end to a smoking war zone, its corridors strewn with corpses. John Woo's ability to exploit the comic-book profundities of the genre, endowing his set-piece action sequences with a uniquely emotional edge, comes through in the controlled use of slow motion, cut-away details and brooding freeze-frame studies of the central characters. The image of Chow Yun Fat cradling an abandoned baby against his chest while he blasts his way out of the hospital's maternity unit has an enduring sharpness to it. However, a sense of ending runs throughout the movie, as if Woo were acknowledging that, having done everything he could with the format, the time had come for him to move on. And perhaps it had. [+]

Pierce Brosnan assumed the role of James Bond for the first time in Goldeneye, the 17th entry in the series. Brosnan looks a little light on the big screen under any circumstances, and he does take some getting used to as 007. But this busy film keeps him hopping as freelance terrorists from the former Soviet Union get their hands on super-high-tech weapons. The film's challenge is to bring free-spirited Bond up to date in the age of AIDS and in the aftermath of the cold war: director Martin Campbell (The Mask of Zorro) succeeds on both counts with a cheeky hint of irony. The best moment in the film is a chase scene that finds Bond tearing up the streets of Moscow in a tank. But Brosnan's most interesting contributions are reminiscent of the dark streak that occasionally showed up in Sean Connery's Bond. -Tom Keogh.

Based freely on the classic novels by C. S. Forester, Hornblower is a series of TV films following the progress of a young officer through the ranks of the British navy during the Napoleonic Wars. The series greatest asset is the handsome and charismatic Ioan Gruffudd in the lead role, surely a major star in the making. For television films the production values are very good, though as Titanic, Waterworld and The Perfect Storm demonstrated, filming an aquatic adventure is a very expensive business, and it is clear that the Hornblower dramas simply make the best of comparatively small budgets. No more faithful to Forester's books than the 1951 Gregory Peck classic Captain Horatio Hornblower, the real inspiration seems to have come from the success of Sharpe, starring Sean Bean, which likewise featured a British hero in the Napoleonic Wars. Nevertheless, while rather more easy going than the real British navy of the time, the Hornblower saga delivers an entertaining adventure, greatly enhanced by the presence of such guest stars as Denis Lawson, Cheri Lunghi, Ronald Pickup and Anthony Sher. "The Duchess and the Devil" has Hornblower and his men taken prisoners of war. -Gary S Dalkin.