robert miller,david light. corny action movie about a band of mercenaries who are hired to take on drug dealing terrorists.

Whether as a subject for historical investigation or social drama, the war in the former Yugoslavia is made for film, as 1997's Welcome to Sarajevo demonstrates. Inspired by the book Natasha's Story by ITN reporter Michael Nicholson, this takes very much a human-interest angle on the conflict. Stephen Dillane plays a journalist whose involvement moves from the professional to the personal as he faces up to marauding Serbian mercenaries, then family ties, to get the apparently orphaned Emira out of Sarajevo and back to the security of his own family in the UK. It could have been awash with journalists-are-good-guys-really sentiment, but director Michael Winterbottom is mindful to present the story in the context of the siege-some of the filming here is harrowingly realistic-and draws responsive performances from a cast including Woody Harrelson as a hard-living American reporter and Marisa Tomei as an aid worker determined to save children's lives at all costs. As a film about the "why" of the Yugoslavian war, Pretty Village, Pretty Flame is unsurpassed, but Welcome to Sarajevo is a potent look into the "how". On the DVD: Welcome to Sarajevo comes to DVD with a decent 16:9 anamorphic picture and Dolby Digital 5. 1 sound that has the necessary immediacy. English subtitles are included, rightly so in a film of this nature. Special features include 30 minutes of interview snippets with cast and crew, "on location" sequences and three theatrical/TV trailers. -Richard Whitehouse.

A triple-bill of Schwarzenegger at his muscular monosyllabic best:The Running Man is an action thriller based on an early story by Stephen King. When Arnold is chosen as a contestant on the ultimate reality TV show, all hell breaks loose. Cheesy sets and a slimy role for game-show host Richard Dawson make this violent mess of mayhem a candidate for guilty pleasure; it is the kind of movie that truly devoted Arnold fans will want to watch more than once. Total Recall is the science-fiction blockbuster from 1990, loosely based on Philip K Dick's short story "We Can Remember It for You Wholesale". Oscar-winning special effects and violent action propel the twisting plot, in which Arnold manipulates his manipulators in a world of dazzling high technology. Director Paul Verhoeven (RoboCop, Starship Troopers) indulges his usual penchant for gratuitous bloodshed, but the movie has enough cleverness to rise above its excesses. Terminator 2: Judgment Day is a legitimate sequel: there's more story to tell about a hulking, leather-clad android (Arnold Schwarzenegger) who arrives from the future to protect a rebellious teenager and future leader (Edward Furlong) from being killed by the tenacious T-1000 robot (Robert Patrick), whose liquid-metal construction makes him seemingly unstoppable. The fate of the future lies in the balance, with Linda Hamilton (who would later marry her director) reprising her role as the rugged woman whose son will change the course of history. -Jeff Shannon, Amazon. com.

Sheathing itself in bad taste, this film flaunts its tackiness, its machismo, and its very stupidity, which of course makes for a lot of dopey fun. Harley Davidson (Mickey Rourke) returns to his roots, the LA of 1996 (the film was set in the near future, as it was made in 1991). Burbank has become an airport, a new drug called Crystal Dream is all the rage and Harley's favourite bar is being torn down. To save it, he and the Marlboro Man (Don Johnson, at his most engaging) concoct an armed robbery that goes awry. Instead of cash, they end up with a shipment of Crystal Dream. Hunted by a drug dealer's goons, the two bark, fight, drink and squint at each other as they try to get themselves out of their mess. This is Butch Cassidy and the Sundance Kid for the monster-truck crowd, with plenty of breasts, choppers, broken pool cues and empty bottles. It's impossible to blame this film for being so emphatically trashy; its creators would consider that a compliment, anyway. -Keith Simanton, Amazon. com.

John Milius charts a decade of social change as three surfing buddies use the sport as a personal touchstone for their lives whilst growing up in the turbulent 1960s. Irresponsible hot-dogging legend Matt (Jan-Michael Vincent),serious and stable Jack (William Katt) and mad misfit Leroy, aka "Masochist" (Gary Busey), are teenage surf bums in 1963, living at the beach in a perpetual summer under the sway of surfboard-maker Bear (Sam Melville), guru, mentor, and keeper of the lore. But times are changing and boys grow up in the shadow of Vietnam while adulthood pushes them into hard decisions. John Milius mixes the nostalgia of American Graffiti with the reverence of a John Ford cavalry drama. Surfing becomes a kind of spiritual quest spoken of in awed mythic tones and photographed with the epic grandeur of a rite of passage. Milius's heavy-handed direction andr everent attitude slows the films and will turn off some viewers but Milius fans will appreciate his macho stylings and philosophical musings, and surfing fans will love the spectacular surfing footage, including the dazzling stylings of world champion Gerry Lopez (who Milius later cast in Conan the Barbarian). Lee Purcell costars as Matt's supportive wife, with Patti D'Arbanville, Barbara Hale and Robert Englund in supporting roles. Look for Ford stock player Hank Worden in a small role and Milius himself in a cameo role selling marijuana in Tijuana. -Sean Axmaker John Milius charts a decade of social change in Big Wednesday as three surfing buddies use surfing as a personal touchstone for their lives while growing up in the turbulent 1960s. Irresponsible hot-dogging legend Matt (Jan-Michael Vincent), serious and stable Jack (William Katt), and mad misfit Leroy, aka "Masochist" (Gary Busey), are teenage surf bums in 1963, living at the beach in a perpetual summer under the sway of surfboard-maker Bear (Sam Melville), guru, mentor, and keeper of the lore. [+]

The explosive true story of China White takes you into the underground world of international drug dealing where the value of money transcends the value of life. Billy Drago plays Antonio Scalia, a Mafia Leader vying for power and control of the underground drug empire - no one stands in his way. Russel Wong plays the charismatic Right hand man to the 'Godfather' of the underworld. After the murder of his mentor he seeks revenge and climbs to the top of the drug world. Lisa Schrage is Anne Michaels, the beautiful undercover cop who is planted into the underworld. It is Anne who gets the double cross when she discovers that the police are using her in more ways than one.