The same no-frills approach is taken with the packaging; a functional scene index and no extras. Yet again, a missed opportunity to use the DVD release to provide some context. At their best, the Carry On films are rightly seen as classic comedies of their type. They really deserve to be better celebrated. -Piers Ford.

But more than anything, The Birthday Party is about unspecified terror and the sort of inner demons that lurk in all of us. On the DVD: Excellent sound quality helps to make this a compellingly theatrical experience: never has the noise of tearing newspaper been more menacing. And the picture quality retains the grainy authenticity of the original print. Special features include brief backgrounders on the history of the play and Friedkin's career, and a slide show of still s from key scenes. -Piers Ford.

Starring Donald Sutherland as Hawkeye Pierce and Elliot Gould as Trapper John McIntyre, two hip young surgeons drafted against their will. Their general attitude-while never corroding either their humanity or their professionalism as surgeons-is one of insolence towards military authority and the arbitrary structures and regulations continually droning from the tannoy system. The film, too, thrives on a lack of attention to conventional order, with its cross-dialogue and random, episodic style reflecting the vivacious and unbuttoned feel of the content. However, MASH has dated and much of what seemed like "liberating" high jinks, today smacks of sexist, frathouse boorishness and harassment, especially at the expense of Major "Hotlips" Hoolihan (Sally Kellerman), while the episode in which "Painless" plans a suicide out of a fear of being gay reflects the persistence of homophobia even in 60s counterculture. Despite this MASH feels ahead of its time and certainly sharper and blacker than the too-cute sitcom it spawned. On the DVD: this is an excellent restoration, overseen by Altman himself, in which any obfuscation from the original have been cleaned up, especially the sound quality. As well as a commentary from Altman, there are three separate documentaries, featuring interviews with Altman, the cast and screenwriter Ring Lardner Jr, who had been blacklisted during the anti-Communist witch-hunt which swept through Hollywood in the 1950s. We learn he was initially appalled at how little of his script Altman actually used but was mollified by the Academy Award he received. Altman is candid about the making of the movie ("It wasn't released by Fox, it escaped from Fox"). There's an abundance of similarly rich, anecdotal material here. -David Stubbs.

Thousands of them". One of the best pure action movies ever made, this rousing adventure recounts the true story of a small 18th-century regiment of British troops (including a very blue-blooded turn by a young Michael Caine) endlessly besieged by a seemingly unceasing number of fierce attackers. Although the basic premise has since been executed with more technical skill and panache (most notably by Aliens and Michael Mann's The Last of the Mohicans), it's unlikely that anything will ever top the utter spectacle and, above all, sheer unbelievable size of the combat scenes that almost wholly take up the last half of this film. A gloriously exhilarating essential for anyone looking to get lost in the heat of cinematic battle, topped off with a healthy dose of gallows humour. Not to be missed. Richard Burton voiced the stirring narration. Zulu was followed by a slightly dry but still recommended prequel, Zulu Dawn. -Andrew Wright, Amazon. com The Italian Job: This cult caper is about as depraved as they come. Michael Caine, ever the enterprising swinger and swindler, has an ingenious plan to steal a huge cache of Chinese gold to be shipped to Turin as collateral for a new Fiat plant. Since the Italy-Great Britain soccer match is being played at the same time, Caine wants to create a diversion in the form of a monumental traffic jam. For financing, he turns to Noel Coward, who directs British criminal enterprises from his jail cell. A motley crew is assembled, including Benny Hill as a computer expert with a fetish for large women. It's all a nasty and fun parody, with the most memorable robbery-chase sequence in the history of the caper genre. -Bill Desowitz, Amazon. com.

Starring Donald Sutherland as Hawkeye Pierce and Elliot Gould as Trapper John McIntyre, two hip young surgeons drafted against their will. Their general attitude-while never corroding either their humanity or their professionalism as surgeons-is one of insolence towards military authority and the arbitrary structures and regulations continually droning from the tannoy system. The film, too, thrives on a lack of attention to conventional order, with its cross-dialogue and random, episodic style reflecting the vivacious and unbuttoned feel of the content. However, MASH has dated and much of what seemed like "liberating" high jinks, today smacks of sexist, frathouse boorishness and harassment, especially at the expense of Major "Hotlips" Hoolihan (Sally Kellerman), while the episode in which "Painless" plans a suicide out of a fear of being gay reflects the persistence of homophobia even in 60s counterculture. Despite this MASH feels ahead of its time and certainly sharper and blacker than the too-cute sitcom it spawned. On the DVD: this is an excellent restoration, overseen by Altman himself, in which any obfuscation from the original have been cleaned up, especially the sound quality. As well as a commentary from Altman, there are three separate documentaries, featuring interviews with Altman, the cast and screenwriter Ring Lardner Jr, who had been blacklisted during the anti-Communist witch-hunt which swept through Hollywood in the 1950s. We learn he was initially appalled at how little of his script Altman actually used but was mollified by the Academy Award he received. Altman is candid about the making of the movie ("It wasn't released by Fox, it escaped from Fox"). There's an abundance of similarly rich, anecdotal material here. -David Stubbs.